Here’s the Golden-age Wonder Woman, my 3rd commission with Diana, rendered by Mike Dooney (my 6th job over him) and my 2nd blueline commission for Hitoshi. He was fine with me not handling the tonal sections of the drawing so it was generally straight-forward although I had to define her hair since it was mostly loose curls & tones originally which wouldn’t translate in ink. The original was 8.5X11 but I was asked to enlarge it to 11X17 for the blueline image. I used brush, brush marker and other markers and after this and the Zatanna jobs I’m seeing nothing but stars now. This was finished 6/19/2007.
About Me
Bob is the inking half of the Sal Velluto art team collaboration on such projects as Marvel’s critically-acclaimed BLACK PANTHER,’99-’02 leading to a 2003 Comicboards “Ooks” Award for “Best Inker” & two “Squiddies” awards for “Best Inker” (2001 along with “Best Creative Team” win and 2002 tied with Mark Farmer and tied for “Best Multi-Part Story”), and many other projects with Sal since 1997 and other artists at Marvel, DC, Acclaim, Malibu, Penny-Farthing Press, Power Comics, IDW, Kingstone, Thrilling Nostalgia Comics, Harris Comics, Topps, Wildstorm, New England Comics, Valiant and several others. While he’s been primarily an ink artist he’s also been a columnist for Sketch magazine and First Comics News. Bob’s a comic book collector and unofficial historian who has acted as a “Master of the Obscure” at the Marvel Appendix site, been a longtime member of the “Jarvis Heads” and a “group expert” at Facebook groups. He’s the founder/director of the official non-profit Inkwell Awards and advocate since 2008. Bob has been credited with “Special Thanks” along with his “Storyteller” colleagues Christopher Priest & Sal Velluto in the record-breaking film BLACK PANTHER (2018) and BLACK PANTHER: WAKANDA FOREVER (2022).
Contact Me
180 Park Street
New Bedford, MA 02740
dmralmond@gmail.com