Here’s the 2nd part of the Hitoshi blueline batch. As a reminder, this assignment consists of 3 images that tie in together thematically as the Birds of Prey. This image, my 6th for Hitoshi and my 7th over Dooney, is my 2nd Huntress commission. I inked it with brush, markers, Pitt brush marker, white drybrush and white paint spatter. The client requested that I flop, or reverse, the image so that she would face Batgirl as bookends with Black Canary in the center. I honestly and regretfully forgot this detail. But Hitoshi was happy with it as is. But for the sake of his vision I’ve flopped the file here. I completed this 11X17 blueline image on 8/21/2007.
Bob is the inking half of the Sal Velluto art team collaboration on such projects as Marvel’s critically-acclaimed BLACK PANTHER,’99-’02 leading to a 2003 Comicboards “Ooks” Award for “Best Inker” & two “Squiddies” awards for “Best Inker” (2001 along with “Best Creative Team” win and 2002 tied with Mark Farmer and tied for “Best Multi-Part Story”), and many other projects with Sal since 1997 and other artists at Marvel, DC, Acclaim, Malibu, Penny-Farthing Press, Power Comics, IDW, Kingstone, Thrilling Nostalgia Comics, Harris Comics, Topps, Wildstorm, New England Comics, Valiant and several others. While he’s been primarily an ink artist he’s also been a columnist for Sketch magazine and First Comics News. Bob’s a comic book collector and unofficial historian who has acted as a “Master of the Obscure” at the Marvel Appendix site, been a longtime member of the “Jarvis Heads” and a “group expert” at Facebook groups. He’s the founder/director of the official non-profit Inkwell Awards and advocate since 2008. Bob has been credited with “Special Thanks” along with his “Storyteller” colleagues Christopher Priest & Sal Velluto in the record-breaking film BLACK PANTHER (2018) and BLACK PANTHER: WAKANDA FOREVER (2022).
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